Indonesian Women Resistance as Eastern Representation in Darah Garuda Movie
(1) Gadjah Mada University
(*) Corresponding Author
Abstract
Darah Garuda is a movie that has background of Indonesian struggle after Independence Day namely during the Military Aggression and the Revolutionary that occurred in several location such as Central Java and Bali. In the movie depicted that the Dutch are still holding out on various missions to keep controlling Indonesia. The success or failure of their actions provokes reactions and views how exactly Indonesian’s character, including about women acting as two different things, fighters and victims of violence. This research tries to explain how the Dutch view as a Western representation about Indonesian people, especially women as representatives of the East, and what efforts were made to show resistance that presented in the movie. This study uses Orientalism approach initiated by Edward Said. The results show Dutch considers Indonesia as a stupid nation, unable to stand alone and always dependent on them, as evidenced by statement “You will not be able to survive one week without us here. You will kill each other.” Women for them is objects of sensuality, talking about them only as a matter of sex and satisfaction. Women that considered to be weak actually able to fight by pretend to be a man, taking to the battlefield, taking up arms, and killing the colonialist.
Keywords
Full Text:
PDFReferences
Abi Dapit, dkk, “Resistensi dalam Novel Hulubalang Raja Karya Nur Sutan Iskandar: Kajian Poskolonial,” Jurnal Salaka: Jurnal Bahasa, Sastra dan Budaya Indonesia. 2020.
https://journal.unpak.ac.id/index.php/salaka
Abrar, F., Endang, A., & Saputra, H. (2018). Representasi Orientalisme
Dalam Movie The Man Who Knew Infinity. Professional: Jurnal Komunikasi Dan Administrasi Publik, 4(2).
https://doi.org/10.37676/professional.v4i2.624
Affan, M. 2014. Trauma Perang Salib dalam Hubungan Islam-Barat. Sociology Lab,Prodi Sosiologi,UIN Sunan Kalijaga: Jurnal Sosilogi
Refletif. Vol 8 No (2). http://ejournal.uin-
suka.ac.id/isoshum/sosiologireflektif/article/view/46
Arumsari, C. (2016). Dinamika “Timur” dan “Barat” dalam Tokoh Boonyi Kaul Noman dalam Shalimar The ClownKarya Salman Rushdie. Paradigma: Jurnal Kajian Budaya, 2(1), 36-52. doi:http://dx.doi.org/10.17510/paradigma.v2i1.17
Layarkaca21. 2010. Darah Garuda Film. https://158.69.0.201/darahgaruda-merah-putih-ii-2010/
Magdalena, A.D. 2021. Oksidentalisme Hasan Hanafi dan Upaya Mendobrak Hegemoni Barat. https://harakah.id/oksidentalisme-hasan-hanafidan-upaya-mendobrak-hegemoni-barat/
Purnamasari, I. 2020. Resistensi Tokoh Aku terhadap Kolonialisme di Musirawas dalam Novel Kepunan Karya Benny Arnas.
Muhammadiyah University Press (MUP) Vol. 21 No. 1, Page 43-54. DOI: https://doi.org/10.23917/humaniora.v21i1.7377
Said, Edward W. 1978. Orientalism. United States of America: Random House, Inc. First Edition.
Suriadi, A. (2008). Resistensi Masyarakat Dalam Pembangunan Infrastruktur Perdesaan. Jurnal Komunitas, 4(3).
Article Metrics
Abstract view : 394 timesPDF - 81 times
Refbacks
- There are currently no refbacks.
Copyright (c) 2022 English Language and Literature International Conference (ELLiC) Proceedings
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Electronic ISSN: 2579-7263
CD-ROM ISSN: 2579-7549
Published by
FACULTY OF FOREIGN LANGUAGE AND CULTURE
UNIVERSITAS MUHAMMADIYAH SEMARANG
Jl. Kedungmundu Raya No.18 Semarang, Central Java, Indonesia
Phone: +622476740295, email: ellic@unimus.ac.id